
My, it's been a long time. For this I can only apologise; my joy at finding employment has rapidly turned to dusty maudlin, and the prospect of this being the forseeable future is making it very hard to summon the energy to do anything of any value whatsoever. 9 hours a day of helping car parking people in an office full of car parking people really takes the joy out of a life, ya dig?
Now would obviously be the time to say 'but at least music's keeping me sane!' However, there's only so much soul uplift a 4/4 kick and a hi-hat can provide, and being the mulish man I am I can't be doing with anything more fun-kay. If minimal can't banish my misery, then I guess I'll just keep crying. Anyway, to the bones...
Low-slung subs and busy hats; Valmay, you sure know the way to a man's heart. This is the latest incarnation of Paul Souter aka Paul Mac, a UK fella who's been making techno music for nigh on 2 decades. Now, I have no idea who he is, but then that's why we have MySpace I suppose. However, names and decades aside, this shit rolls. It rolls onward forever, a techno flywheel powered by a liquid groove, if you will. Big room stabs and acres of reverb are locked together by a straight down the bat 4/4 with gated white noise and slightly off-kilter hats gently pulling the beat back and forth. I can't say I'm a huge fan of the phaser on the hi-end; phase has never really been my crumpet.
Still, I'll forgive this one indescretion, since the track itself is a masterful demonstration of restraint; suspense builds and ebbs as the track moves between peak and release in a fog of sound that shows you don't need to do a lot to do a lot. This is why I love minimal so; gentle, gentle vibes that change the whole vibe of a record without anyone noticing. It gets inside you.
It finishes a bit weird, mind. Very unsettling.
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